In a year where the events of the world often made the “life imitating art”
cliché seem as relevant as ever, the films that left the most impact on me
seemed a perfectly balanced mix of surreal fantasy (Hedwig, Lord of the
Rings, Mullholland Drive, The Princess and The Warrior, and Amelie), and
somber reality (Amores Perros, Anniversary Party, In The Bedroom, Tape and
With a Friend Like Harry). Maybe this has all to do with my own personal
taste, or maybe this has more to do with some greater need among filmmakers
to attempt to differentiate life from art as the world seemed so on the
verge of change as we entered the 21st century.
Sometimes it takes a movie to ground our sense of who we are, and other
times we need to leave the solid footing that is life on earth to see how
things could and often should be different. In my opinion the best films of
this year were some of the best films in many years, and most of the rest
were worse than usual. But in the end the best thing about movies is that
there will always be more, and some of them will always continue to be very
different than ones before. But if you keep lists of movies to see, these
will all leave you either thinking or smiling or maybe even crying – and in
the end that is all you can hope for from movies. (more…)