I liked the debut Strokes album quite a bit. I hated the second and was kind of apathetic to the third. But the band has always been decent about respecting their influences, paying tribute and even collaborating with these elder statesmen. You don’t need to look any further than the comical “Someday” video with Guided By Voices, and although this influence isn’t all that evident on the Strokes albums on Albert Hammond’s debut solo record you hear Bob Pollard and company soaked lovingly throughout each of the albums 12 songs including a cover of the GBV classic “Postal Blowout.”

“Yours to Keep” is much more than just a derivative rock record, it is more a pop effort complete with cameos from Sean Lennon and Ben Kweller, in addition to quiet acoustic ballads that remove it from the shadows of the mighty Strokes. There is nothing that I would describe as particularly new here, but what there is is very good. Hammond and his main band of merry tricksters will likely be back soon, but as a solo effort this one is a pleasant surprise.

Like a companion piece to the brilliant “City of God,” the epic documentary “Bus 174″ explores the tragic and gritty world of the hoards of homeless kids in Brazil, in the context of a now infamous 2000 Rio hostage situation. Most great documentaries take wonderfully complicated stories, and juxtapose them with a cinematic creativity and parallel narrative idea to create something new (“A Thin Blue Line,”"Capturing The Friedman’s,” “Paradise Lost”). “Bus 174″ uses the many hours of actual footage of a 21 year-old glue sniffing mugger; during his 12 hour gun-wielding rant on a Rio bus that resulting in two deaths.

From a variety of perspectives, the surreal overhead opening shots of the densely ominous Rio slums to the harrowing footage of the overcrowded jails in Brazil, the incident on Bus 174 seems so tragically predictable. For a country and city as seemingly sophisticated as Brazil might appear to be, the reality of the pervasive violence and homelessness that runs rampant is mind-blowing. As for the actual saga that was “Bus 174” it is rare to see a story like this unfold so desperately and in real-time driving towards such an unpredictable conclusion. This film ranks up there among the best docs I have ever seen, as suspenseful and chilling any non-fiction is likely to be.

I am a Will Ferrell fan. But unlike most of his trademark over-the top obvious physical humor, “Stranger Than Fiction” could do for him what films like “Eternal Sunshine” did for Jim Carrey and the highly underrated “The Weatherman” could have done for Nick Cage. These films manage to surround their characters in a kind of surreal fog, but one immersed in a real world. In this context Ferrell is rock solid.

This film, not to be confused with the classic low budget Jim Jarmusch film “Stranger Than Paradise” portrays Ferrell as a lonely, anal, IRS agent who begins to hear his life narrated in his head. The arrival of these voices happens to coincide with his audit of a lovely anarchistic baker (Maggie Gyllenhaal) who has purposefully underpaid her taxes. There is an odd and lovely pace to things in this quasi-real place, but ultimately, clever gimmicks aside, there is a genuine kind of emotion associated with every once of onscreen time. You’ll laugh, you’ll cry, and probably end up liking Ferrell more than you thought.