Mostly the movies that remind me how much I love movies are the ones that don’t utilize special effects, 3D technology and megastars. Midway through 2010 the clear winner, six months in, is this small, perfectly written and acted talkie, about a modern family in our modern age. “The Kids Are All Right” is easily the most honest and insightful film of its kind since 2000’s “You Can Count on Me” (also staring Ruffalo).
Ten years later though, Ruffalo, having perfected his trademark slacker persona, delivers perhaps the best performance of his career. Ruffalo is an organic farmer and restauranteur who is hurled headlong into an unexpectated chapter when he is contacted by the children his anonymous seeds gave life too 18 and 15 years before. The children who have grown up to become the precocious offspring of a lesbian couple played by Julianne Moore at the top of her game, as an unfocused new age idealist, and Annette Benning recreating her character from “American Beauty,” as a high strung OBGYN.
In a film like this everything depends on the authenticity of the dialogue and the chemistry of the actors, but on both counts it soars. In almost every family that appears to have achieved a sort of rare normalcy and happiness there is always something missing below the surface. “The Kids Are All Right” is a minor masterpiece that explores a family that is superficially different, but at its core is the same as most. In the end perhaps it is too subtle for the masses, but maybe this is what makes it so special.