There are some voices so distinctive, so seductive that even though the basic pace and construct manages to stay the same album after album, the music always sounds new. Mark Kozalek (aka Sun Kil Moon, and former Red House Painter impresario) is one of those artists. His voice is deep and oddly flat, his songs are dark but somehow always emotive and epic seeming, and his lyrics smart, honest and poetic. He has been in films (“Almost Famous,””Shopgirl”), covered everyone from John Denver to AC/DC to Modest Mouse, and has created a legacy of creating some of the finest records of the past fifteen years.
“April,” his first original effort in five years, is an absolute jewel. The ten songs begin with the elegiac “Lost Verse” a ten minute pristinely patient jam highlighting Kozalek’s trademarked guitar strumming, and soulful croons. His songs are stories, mostly topical observations made by people that the singer knows, might know or might have observed. Like most of his House Painters or eponymous recordings, Kozalek’s music is slow and plodding, beautiful and glimmering but only if consumed in the right state of mind. But so many of these songs just seem to slowly rise up into something bigger, longer and louder than you would hav anticipated. “April” is a stripped down affair, but one that sparkles. Cameo’s from Will Oldham and and Death Cab’s Ben Gibbard add perfect little ornaments to the preciousness of another quiet classic.